
APPLICATIONS ARE NOW CLOSED
check out our makerspaces
Some of our participating makerspaces

MAKER RESIDENCE PROGRAM 2024
For our Maker Residence program 2024 we could invite
25 European makers with 12 different nationalities
aged 21 to 63 years to each work in parallel
1 of our 12 selected makerspaces in Chemnitz Region
in the run-up to the makers united festival,
where they presented a participatory and educational project.
We have organized several network events and aimed for a sustainable connection between all makers and makerspaces together with other international guests.
Our Maker Residence is a successful and unique project that has been created
a European network around makers united, on which basis we will realize exciting cooperative projects and a second edition of the Maker Residence program in the year of
Chemnitz European Capital of Culture 2025.
The Maker Residence 2024 was made possible by
the Saxon State Ministry for Economic Affairs, Labor and Transport
Application form 2025
MEET the MAKERS Makerprofiles of previous Maker Residents coming soon....

Her work engages with everyday life, exploring human encounters and communication. Leveraging new technologies and social dynamics, she contextualizes her pieces around the emotional impact of digital interaction, often involving public participation to create a performative dimension. Currently, she develops her artistic practice, teaches workshops, and collaborates with Berlin’s Ferdinand Freiligrath Schule in upcycling and redesign projects.
Her motto is: Just make it!




Starting from graphic and visual aspects, installation, intervention, and expanded formats have gradually gained ground in her artistic project, where she combines all her expressive resources with a critical perspective on the world we share. Thus, her work represents a full display of technical skills, where the hybridization of formats, political reflections, social sensitivity, cunning, and irony invite a distancing from established norms and forms.
(picture © Guggenheim Bilbao)




Our joint practice is influenced by the deep-time of places, cycles and seasons and is closely connected to nature, territory and cultural memory. This ongoing research started in 2014 after moving to the island of Sant’Antioco to become students of the master of traditional weaving Chiara Vigo. Over the last five years we have been absorbing many kinds of knowledge and techniques and have begun reworking our existing methods that include live-art, material-specific interrogations and site-responsive installation to begin a new phase of practice that looks at how the ancient aspects of weaving, spinning and dying can be used to explore themes of crisis, adaptation and interconnectedness. Working with colour, time, repetition and nature we now create works that mobilize the space of art as a memory-scope by engaging the material alchemy and timeless gestures of weaving as a platform for generating new modes of transmission, exchange and encounter.

(Image by Aileen Slot for Newsroom Enschede)


I developed a process for creating objects from 3D printer plastic waste featuring a colorful marble effect. I typically make small items such as jewelry, tops, combs, and more. During my residency at Aut Weiter Flur in 2024, I invited kids to create sculptures using these plastic remnants along with wood scraps from a laser cutter. The result is a vibrant collection of robots, dinosaurs, and abstract sculptures made from discarded materials.



His works stand out for their diversity and depth. Two years ago, Rémi created his first monumental project, the "Vegetal Wall," for the entrance hall of a building in Paris. This piece, crafted with welded metal rods, integrates tropical plants, bringing freshness and life into the urban environment.
Last year, he completed a notable collaboration with the hotel-restaurant La Chaumière in Aubigny-sur-Nère, creating a metal stag in a bellowing posture, which has since become a symbol of the establishment.

Born in Peru, she grew up as a “third culture kid in Brussels to a German mother and Peruvian father”. Her textile craft practice brings about her struggle to identify her geographical and spiritual roots.

After several years (>7 years) spent in fablabs in Lyon and Neuchâtel, I joined the Swiss Academy of Technical Sciences (SATW) to promote the next generation of technicians and engineers in French-speaking Switzerland.
At the same time, I'm involved in the Fablab in La Chaux-de-Fonds, where I hold various positions as treasurer, vice-president, trainer and workshop leader.
I'm passionate about inclusion, accessibility and gender equality, as well as the values of low-tech, minimalism and frugality.
Convinced that digital fabrication can be a lever for empowerment for everyone, I'm committed every day to creating spaces for sharing and empowerment





He studied at the Konrad Wolf Babelsberg Film University in Germany and at FAMU in Prague, focusing on directing, where he graduated in 2016. His second academic background lies at the intersection of theology and philosophy at HTF UK. As a filmmaker, he has directed short and medium-length films that have been shown in competitions at over 40 international film festivals and have received multiple awards. He was also selected to participate in numerous international workshops and collaborations in the fields of film, social issues, youth, and research.
Since 2017, he has been working on initiatives within the Prague-based association Osvět z.s., where he developed filmmaking education for visually impaired people, especially young people. He also implements this initiative in general education schools through workshops aimed at bringing young people closer to their visually impaired peers through cinematography. For makers united he worked on Toy design for visually impaired people.















